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They all went off, a merry, noisy troop. And the disappearing sun was the last to say to Billy “Good-night.”,

“Well, now, is that so? It sounds to me like a furrin word,” returned Mrs. Wopp, who admired Mrs. Mifsud’s polished utterances, while by no means undervaluing her own rhetorical gifts.,

Howard Eliot guided his charges through the mazes of the city to a restaurant. Moses with the perennial appetite of fourteen ate silently and steadily, not omitting one item on the menu. He gorged.,

Billy read the note several times. He knew that Jimmy meant much more than the words said; it was his offer of the “olive branch.” And Billy, thinking over that miserable afternoon, wondered again how it had been possible for him to feel such murderous hate for anything living. And for Jimmy! His mate at school, in play! The picture came to him of Jackson crying, of Vilette,—yes, it was not strange he had been angry. But it was not his duty to punish; even if it had been, he knew he had forgotten Jackson and Vilette, forgotten everything except the rage of the fight. Why was it? Older heads than Billy’s have asked in sorrow that same question after the madness of some angry deed has passed to leave in its wake sleepless remorse.

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When the party reached the house and St. Elmo had been received with every manifestation of joy, Mr. Wopp in one burst of eloquence explained how his boy Moses had found him. Moses, the hero of the hour, stood abashed before the encomiums of Mrs. Mifsud. He twirled his hat at a fearful rate on his doubled fist, standing awkwardly on one foot the while.,

He went on, a little cautiously now, and shortly came in view of the “Ha’nt,” a sinister though imposing house, built of cut stone, close against the face of the most picturesque mountain of the range, bounding Vina Valley. The windows were curtained with cobwebs and dust. For years the wide front door had been nailed up with the same sun-bleached boards; and “Keep out!” spoke from every gray splinter.,

Directly the invalid’s querulous demand for the rancher was made, Moses started off to fetch him.,

Another sound in a somewhat higher key was heard. Moses had simply modulated in his domestic symphony of labor from a major task to a minor one. As a change and refreshing recreation, Moses was allowed to turn the small wheat-mill. Ninety soul-stirring turns it required to empty the hopper once, and he must turn out enough flour for a batch of bread. His youthful soul was in revolt at such servitude. He had no sympathy to squander on the children of Israel in bondage vile. Making bricks for Pharoah was infantile amusement compared to his labor.